House on Mango Street

January 6th, 2011 by Jsohnel Pacarro

Told in a series of vignettes stunning for their eloquence, The House on Mango Street is Sandra Cisneros’s greatly admired novel of a young girl growing up in the Latino section of Chicago. Acclaimed by critics, beloved by children, their parents and grandparents, taught everywhere from inner-city grade schools to universities across the country, and translated all over the world, it has entered the canon of coming-of-age classics.

Sometimes heartbreaking, sometimes deeply joyous, The House on Mango Street tells the story of Esperanza Cordero, whose neighborhood is one of harsh realities and harsh beauty. Esperanza doesn’t want to belongĀ — not to her rundown neighborhood, and not to the low expectations the world has for her. Esperanza’s story is that of a young girl coming into her power, and inventing for herself what she will become (www.sandracisneros.com).

About the Author:

Born December 20, 1954 in Chicago, Sandra Cisneros is an American novelist, short-story writer, essayist, and poet. Cisneros is one of the first Hispanic-American writers who has achieved commercial success. She is lauded by literary scholars and critics for works which help bring the perspective of Chicana (Mexican-American) women into the mainstream of literary feminism.

Cisneros received her B.A. from Loyola University in 1976 and her M.F.A from the University of Iowa Writers’ Workshop in 1978. This workshop marks an important turning point in her career as a writer. Cisneros had periodically written poems and stories while growing up, but it was the frustrations she encountered at the Writer’s Workshop that inspired Cisneros’ realization that her experiences as a Latina woman were unique and outside the realm of dominant American culture. Thus, Cisneros decided to write about conflicts directly related to her upbringing, including divided cultural loyalties, feelings of alienation, and degradation associated with poverty. These specific cultural and social concerns, coupled with Cisneros’ feelings of alienation as a Latina writer, came to life five years later in The House on Mango Street (1983).

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